Settings and descriptions are easy to find. Look around. Did you notice anything while driving to work this morning? How about the guy in the car next to you? I bet he picked his nose without even considering someone would see him. By the way, there are a couple of teenage boys walking along the sidewalk, but it’s a school day, so why are they out and about? Observations can lead to interesting questions for writers. Small details in the description allow your readers to experience the story, not just read it. Where do you find these details?

Like I said, look around.

Driving through North Carolina, there is a vast landscape of imagery apt for writing. The Research Triangle Park (RTP), surrounded by prominent universities and corporate headquarters, is ripe for a high-tech setting. Drive a few miles out and you find tobacco and corn fields burning under an early summer heat wave. I recently discovered a few gems and have tucked them away for a future project:

  • A Baptist church with brick framed sign advertising “Massage Therapy. Walk Ins Welcome”
  • A farm-house with a perfectly manicured lawn sporting a 70’s era tan sedan in the car port nearly invisible under a growth of kudzu
  • Stumpy’s Taxidermy (do I really need to explain that one?)

I translated some of the scenery and the questions it invoked into the passage below. By writing without a plot in mind, this exercise lets my imagination explore the “what if’s”. Sometimes it even turns into a new story.

“The two-lane highway curved in and around woods, past weedy horse pastures, and bordered fields freshly plowed for late spring crops. Each sign of animal habitation was mirrored by human habitation in the form of wood-frame houses void of paint or posh. This isn’t the part of the country big on appearances. Labor was born of the need to feed families, pay off back debt on acreage and to scrape out a living. There was no money for house painting or landscaping beyond a mower.

Casey turned her ten-year old Ford pickup onto a gravel road, wincing at the sharp ruts that bucked the truck like a rodeo bull. Sweet tea sloshed over the top of her Hardee’s cup and left a glistening rivulet across her arm. She ignored it.

The white outline of the church revealed itself through a veil of dark green leaves. A downburst of wind parted branches for just a second and she could see the modest wooden steeple against a Carolina blue sky.

Craven Baptist Church was founded in 1823 and had stood facing the eastern sunrise ever since. First, her four times great-grandfather cut a clearing and laid in pine benches and a slab of granite for an altar. Sixteen years later, his son built a small church on the same site. The building now in its place was a young 75 years old. Vines twisted along the roof edge and the air was thick with honey suckle. Plywood sealed the windows and the front door, while padded locked on one side, stood ajar from its hinges on the other.

The cemetery would be in the back, hidden in the undergrowth and guarded by snakes.”

I don’t know if I’ll ever use this in a project, but the exercise is a good writing warm up so you can sneak past your inner critic:).


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